Glazing

For this piece, I used the green velvet underglaze, and scratched away my design. I then applied some of the purple underglaze, and mixed my own variation of light purple to accent the flower petals. After doing this on the lip of the vase, I decided to mix a lighter green underglaze to accent the leaves, too. Once it came out of the kiln, I applied Transparent to make it smooth and shiny.

Sgraffito

           Sgraffito is a super cool glazing and designing technique, where the glaze is applied before firing the pot, and the design is later scratched off the suface of the pot. I really enjoyed this process, and I'm looking forward to using this technique again. It was pretty nerve-racking in the beginning, but I think that'll happen to me every time I have to carve the design onto the clay. If I could do anything differently, it might be to practice with all the different tools before I actually start on the piece. All in all, I'm really happy about how it turned out. 

 This Sgraffito wall art thing is awesome! 

I missed you too, Mrs. Gleeson!

      Ah, Mrs. Gleeson! I did so many things this summer! Everything is a little hard to believe, but I went to both Disney world and traveled around Europe. My cousins and my uncle and aunt came up from Argentina for two weeks and we all went to Disney. Since they're so little, dragged my parents on all the roller coasters with me. The kids would get tired quickly, too, so in the end, I was the only one that wanted to stay in the parks for longer, while everyone else was ready to go back to the hotel and to the pool. Okay and then the coolest part;  I freaking TOURED EUROPE with a MUSIC GROUP. Jeez, I'm stil not quite sure if that was all real. We mades stops in Austria, Germany, Italy, Croatia, and Slovenia. Everything over there is so old... yet beautiful. There's little colorful houses with red shingled roofs, the mountains are green everywhere,  and their water good enough to drink. Croatia really surprised us; we spent three days at a beach, swimming in the crystal waters of the Mediterranean Sea. 

      In short, my summer was spectacular. As for books, I read a couple of John Green books I hadn't read before, but I can't think of anything really awesome. If you haven't read The Book Thief, you definitely should. 

      I just really wan to get on the wheel and see what happens! And I promised my mom a pitcher at some point this year. 

• Title your blog post:  "I miss you too, Mrs. Gleeson!"
• Write about one thing that happened to you over the summer (good, bad, exciting).
• Any cool links I should know about?  Good books, movies, music?
• Do you have any ideas for a project that we can do?

Third Quarter Post

   
   This month, I've been working on my candle holder. It is important to take your work off of the wooden boards when the project starts drying out. The wood board takes in the moisture and might make your piece bone dry if you wait too long. With this project, I focused on Unity and Balance and Texture. From this project, I learned that it is much easier to come into a project with design ideas ready, than to try to invent things on the spot. Some stencils are easier to use than others, and the roller designs are difficult to keep straight.
      The roller wasn't as hard to use as I thought. I also learned that it is important to cut the clay AFTER using a large design on it so that the sizes are all the same. It is better to quadruple check in the beginning than have to make up for it in the end. I would have probably liked if I could have finished this project faster, but that is more of a personal problem. It would also be nice to have a mini-lesson on accents and how to use the expensive glazes. 

February Post

Right now, I am working on the candle holder project. I just started last class, so all I have is one slab ready. Right now the biggest problem I'm having is based on design, but that's nothing new. I'll have to make a decision as to how I want the final product to look, but that's an internal struggle. There are so many choices! I am glad the slab machine is easy to use, and I've had no problems with it. 

My cups came out of the fire this week! The yellow one used the same glaze twice, the Goldenrod Shino, and held about 10 ounces. The brownish reddish cup used Chun Plum and Turkish Amber. It held 12 ounces of water. The dark blue cup was glazed with Dark Blue and True Celadon and held 11 ounces. Lastly, the green cup was glazed with True Celadon and Metallic Green, and it held 9 ounces.
I made a couple of extra cups, but only put handles on the ones above. I also finished up glazing my coil pot (finally) using Seaspray and True Celadon, and it is watertight.

End of Semester!! Half Way Through!

       I have been working on making cups on the wheel for the past month or so. Here they are as bisque ware, glazed, but without the second firing. Among these there are also some extra credit projects I made in the beginning of November. Back then, I didn't know how to use the little bendy, blue tool used when throwing on the wheel to make the clay curve (AKA The Rib); and you can really see the difference with how thick the walls were before. 

       My glazed coil pot is in the kiln right now. 

Happy Holidays, Lots of New Stuff!

• Leather Hard - Clay which has dried sufficiently to be stiff, but is still damp enough to be joined to other pieces.
• Bone Dry - Clay that is completely dried but not yet fired.  Clay forms are most fragile at this stage.

       If the clay is bone dry and you try to trim it, you will have to apply more pressure to cut in. Pushing against so much might cause it to fly off wheel, and you could lose your piece. This would also dull the tools. It would be impossible to score and slip anything to clay that is bone dry because  you can't scratch the surface.

       If the piece is too soft when you try to trim it, the tools will cut into it, and the centrifugal motion might deform the entire piece.

    I still have to finish the coil pot, and add a little bit more to the top of it.